Berlino si prepara ad accogliere una straordinaria esposizione d’arte collettiva, “Back 2 Back Home”, durante la settimana dell’arte nella capitale Tedesca. Un evento che celebra la ricchezza della migrazione, della trasformazione e della diversità culturale attraverso le opere di artisti internazionali, esplorando i viaggi personali e collettivi nel trovare e ridefinire il concetto di “casa” in un paesaggio urbano in continua evoluzione. Tra gli ospiti internazionali Red Pig Flower che, in esclusiva per Le Cronache, ha rilasciato una intervista che sarà in italiano sul digitale interattivo di domani.
Over the past decade, Red Pig Flower has been leaving an indelible mark on the contemporary electronic music scene through her dynamic productions, extensive DJ sets across the globe, and her cofounded imprint, Sound Of Vast. Originating from South Korea and journeying through Japan, Germany, the UK, and now based in Italy, Red Pig Flower has honed her skill and knowledge of igniting dance floors while crafting intricate, emotive, and mind-bending electronic compositions. Her first gig at the renowned Panorama, alongside Hor, significantly elevated her career, solidifying her position as a rising star in the industry. As a DJ, her sonic landscape spans a diverse spectrum, ranging from trippy Micro House to pulsating dance floor-oriented House, Techno, and beyond. Audiences frequently express the uniqueness of experiencing her taking them on a sonic voyage through the club. In her production endeavors, Red focuses on ornate sound design and trippy narratives, with her distinctive raw and rhythmic style at the core. Her latest EP, “House Thing,” showcases her production skills and capability to create both high-energy and classical dance music. With each track, she proves her prowess in crafting energetic and timeless compositions that resonate with dance music enthusiasts worldwide. Throughout her journey, Red has released EPs on labels like her own Sound Of Vast, Work In Progress, Serialism, As.If, and many more. The future holds an array of EPs on various labels, including a foray into the modern realm of music NFTs, with multiple releases scheduled for the upcoming years. Beyond her DJing and studio work, Red Pig Flower is known for her electrifying dance moves that transfer boundless energy to the dance floor. Inspired by house voguing dance and walking, her expressive dance style captivates audiences and amplifies the vibrant atmosphere of her sets. As she dances like crazy, her moves evoke a sense of connection and unity with the crowd, creating an unforgettable experience for all. Red’s passion extends to an immersive audiovisual project that harmonizes with her musical pursuits. Stay tuned to explore more of Red’s enigmatic artistic vision as she continues to ascend as a rising star in the electronic music realm
In Berlin, your art has been exhibited in numerous galleries and creative spaces. What do you aim to convey to the audience through your visual works in Berlin and specifically for the exhibition “Back2Back Home”?
«The concept of “Back2Back Home” resonates deeply with me, as a nomad and a foreigner. The invitation to this exhibition made me feel at home, in a way—like a familiar embrace. Berlin has been my home for over seven years, and the freedom of sensual expression and the vibrant club scene here have influenced me profoundly. In this exhibition, I’m showcasing several provocative paintings, including “Alice in Berghain,” “Pride on the Cloud,” and the “Daddy is Eden Exist” series. These works explore themes of identity, pleasure, and the tension of being ungrounded—searching for comfort and pleasure while embracing the emptiness and uncertainty of a hedonistic, nomadic life. My paintings reflect these complex emotions».
As a foreign artist, in which countries where you’ve performed and exhibited do you feel most “at home”?
«Conversely, when performing in your home countries, do you ever feel foreign? Yes, exactly. One of my life goals is to find a place I can truly call home. I’ve lived in many cities—London, Berlin, Milan, Seoul, Tokyo, Brussels—and each of them feels like a home in some way. But I’ve never felt I completely belonged anywhere. I’ve been influenced by each culture, but I was never fully part of any of them».
How do you manage to balance your identity as both a visual artist and a musician?
«Is there ever a moment when one takes precedence over the other? For me, it’s all the same—I have an idea to express, and I use whatever medium is available at the time. While the delivery is different, the intention remains the same. I know people used to want clear divisions between visual and auditory art, but that era is over. We live in a multisensory world now. I want to tell stories and stimulate the audience, whether through music or visual art. It’s all about storytelling and stimulation».
Your record label, Sound of Vast, has been a cornerstone of your musical journey for over 10 years. What is your vision for the evolution of techno and electronic music, and how do you plan to contribute to the scene in the future?
«Running a vinyl label based in Asia comes with many challenges. Our label is over 10 years old, and we aim to continue for at least another decade. Not many Asian vinyl labels survive that long, but we want to be the exception. Initially, we focused on releasing European artists, but in recent years, we’ve been showcasing more Asian talents, which feels significant. For our 5th and 10th anniversaries, we collaborated with painters for our cover art, merging music and visual art. We may not know the full impact we have on the scene, but we are committed to delivering something positive».
Looking ahead, what are your upcoming artistic projects, both visually and musically?
«Are there any new directions or collaborations you’re particularly excited about? I’m reaching out to vocalists and synth musicians to create exciting collaborations. I’m focused on putting my ego aside and enhancing the quality of my music by working with talented artists in their fields. For instance, I recently worked with my Berlin-based producer friend Declan, who improvised a stunning synth melody for one of my tracks in just five minutes—something that would have taken me weeks to recreate with MIDI. For my new album, I’ve asked my painter friend Carlos, based in Tokyo, to create the cover art. Even though I’m a painter myself, I don’t want to do everything alone; I don’t want to lose objectivity. I’m grateful to be surrounded by talented people who expand my horizons through collaboration, and I’m excited about the art we create together».
